laserhead or sleepingcbw, wanna tell me what they're/you're doing this semester?
They: 18th-C arr. of Psalm 69; obligatory African spiritual; Eli Jenkins' Prayer from Under Milk Wood; obligatory awesome Whitacre piece; techno piece about Genesis (no, really); Mendelssohn.
We: an Ave Maria; a random Latin piece Doc sang when he was in college (features the basses on a high F, and the altos on a low F); a 20th-C translated Navajo piece; a 20th-C Unitarian piece containing the phrases "the swampy morass and seed-beds too," "Singing with deep voice the hymn that extols restless beings tense with destiny," and "man in sweat quivered at what he saw"; gaudeamus igitur; a folksong that makes me want corned beef; and the final fugue from the Bach motet that ate Munich.
Everybody: "How Can I Keep from Singing" as arranged by Whitacre's composition teacher; Zulu song about how loafers don't get girlfriends.
no subject
Date: 2004-12-05 04:37 am (UTC)They: 18th-C arr. of Psalm 69; obligatory African spiritual; Eli Jenkins' Prayer from Under Milk Wood; obligatory awesome Whitacre piece; techno piece about Genesis (no, really); Mendelssohn.
We: an Ave Maria; a random Latin piece Doc sang when he was in college (features the basses on a high F, and the altos on a low F); a 20th-C translated Navajo piece; a 20th-C Unitarian piece containing the phrases "the swampy morass and seed-beds too," "Singing with deep voice the hymn that extols restless beings tense with destiny," and "man in sweat quivered at what he saw"; gaudeamus igitur; a folksong that makes me want corned beef; and the final fugue from the Bach motet that ate Munich.
Everybody: "How Can I Keep from Singing" as arranged by Whitacre's composition teacher; Zulu song about how loafers don't get girlfriends.