Woe.

May. 19th, 2007 05:50 pm
icepixie: (Fraser Dief northern)
[personal profile] icepixie
ARGH. I seriously have, like, two scenes left to write on the Yukon fic. Well, two and a half. ...Two and three quarters. Whatever. Naturally, they will not come. I think I may possibly need to rewrite/reconceive the whole ending, which, argh.

Bah.

In further Mysteries of Udolpho news, now that they're at the castle in Italy, Emily has been stuck in a COLD ROOM in a HIGH TOWER with a SECRET DOOR that locks from the OUTSIDE. And someone CAME INTO HER ROOM AT NIGHT. Ooooooh.

She's also lifted the veil on a horrible veiled painting, and seen something, well, horrible, but I don't know what it is, because Radcliffe has chosen just to bewail at length its awfulness rather than telling the audience what it is. I hate that. There's also some shocking letter the heroine read earlier in the book that the audience isn't privy to. Having your POV character see something, make a big deal out of it, and then not let the audience in on it for hundreds of pages strikes me as bad form, but what do I know?

Date: 2007-05-20 10:45 am (UTC)
From: [identity profile] rowdycamels.livejournal.com
ARGH. I seriously have, like, two scenes left to write on the Yukon fic.

MUSH!

She's also lifted the veil on a horrible veiled painting, and seen something, well, horrible,

The VEIL of MYSTERY! It gets mocked extensively in Northanger Abbey. [reeeeeeeeead iiiiiiiiiit....]

Having your POV character see something, make a big deal out of it, and then not let the audience in on it for hundreds of pages strikes me as bad form, but what do I know?

I think it was the late-eighteenth-century version of suspense. Sigh.

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